It is expected that children increasingly learn to identify errors throughout their schooling process and even before it. As a further step, however, some scholars have suggested how a culture of error should be implemented in the classroom for the student to be able not only to locate errors but also, and above all, to learn from them. Yet the various proposals aimed at generating a culture of error in the classroom keep regarding error as all those responses and reactions (...) that are not considered as true or correct in each specific case, thereby not realizing that many of these alleged errors are really anomalies with very different characteristics and consequences despite their seeming resemblance. In this paper, I rely on Ludwig Wittgenstein’s On Certainty to clarify the difference between errors and anomalies. Subsequently, I provide guidelines that may be adapted by each teacher to her students’ needs and development level in order to foster a culture of error that begins by distinguishing er... (shrink)

Traducción, selección y estudio preliminar José María Felipe Mendoza * Edición bilingüe. Se recomienda descargar el PDF para visualizar mejor la traducción y el original en paralelo.

Wittgenstein’s conception of ‘persuasion’, understood as the persuader’s attempt to modify the persuadee’s certainties, has been recently misinterpreted by some scholars. For Persichetti has overlooked the fact that one cannot persuade unintentionally, while Marconi and Perissinotto have not only taken for granted that persuasion consists in the mere transfer of a world-picture or set of certainties to an individual even when she has not alternative or different certainties, but also that education is restricted to persuading or transmitting certainties. After clarifying (...) these misinterpretations, among others, I argue that persuasion is not used for teaching certainties at the outset, but for modifying them when they do not fit the ones expected by the persuader. If it is agreed that education partly consists in transmitting a world-picture, then persuasion constitutes a necessary resource for educators. Lastly, I provide a set of guidelines for teachers to draw attention to the basic aspects of persuasion that they should consider in the classroom. (shrink)

En el presente texto se intenta presentar una visión ordenada de la evolución de la pregunta de si es España una nación, y en caso de ser la respuesta afirmativa, si ha sido una nación normal y si es su historia la historia de una decadencia. La preocupación por el tema de “España como problema” se remonta al siglo XVII y llega a nuestros días. Nos detendremos especialmente en las tesis al respecto de Ortega y Gasset y su discípulo Julián (...) Marías. (shrink)

In this paper, I argue that the certainty about the wrongness of killing must not be considered as a universal, but as a local one. Initially, I show that there exist communities in which the wrongness of killing innocents is not a moral certainty and that this kind of case cannot be justified by arguing that such people are psychopaths. Lastly, I argue that universal certainties do not admit of exceptions: thus, the fact that some exceptional cases affect the certainty (...) that killing innocents is wrong, leads me to conclude that it is a local certainty. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 121.3 (2000) 453-478 [Access article in PDF] Plutarch's Lysander and Sulla: Integrated Characters in Roman Historical Perspective José María Candau Morón The term ritratto paradossale has been used to describe a formula of character portrayal seen in Latin literature of the first centuries B.C. and A.D. whose basic process consists in combining in one character apparently contradictory traits (La Penna 1976). To be precise, (...) the formula produced a type of man who in his moments of action shows energy, diligence, and constancy but exhibits licentious feelings, allows himself to be taken in by indolence, and succumbs to pleasures when his negotia are finished. This model may already have been present in Greek historical literature of the fourth century B.C., as the portrait of Philip II that the historian Theopompus delineates seems to bear this stamp. The public image of Maecenas and the Petronius of Tacitus are two clear examples of ritratto paradossale. The figure of Sulla also falls under this influence; in fact, according to La Penna (1976, 284), Plutarch's biography of Sulla often exhibits these same characteristics.The terms "paradox" and "paradoxical" also occur frequently in works devoted to Plutarch's Life of Lysander. Its paradoxical features are the central point of Pelling's comments (1988a, 268-74) on that biography. Pelling explores aspects of "integration" in the Parallel Lives, a technique of portrayal which he defines as follows: "a man's qualities are brought into some sort of relation with one another, and every trait goes closely with the next." 1 An almost universal literary habit in the [End Page 453] ancient world, integration appears even in a figure as complex and full of contrasts as Plutarch's Lysander. Arrogance and cruelty, incorruptibility and a capacity for adulation, duplicity, ingenuity, ambition, treachery: all the contradictions that coexist in him are seen to be unified through philotimia, a central trait that dominates Lysander's other characteristics and gives his portrayal a unified appearance.But Plutarch's interests in his Life of Lysander do not impel him to explain or reconstruct the traits of its protagonist. It is the contrasts and the paradoxes in Lysander that have drawn the author's attention and lend the biography its particular flavor. Plutarch shows how these diverse character traits work against the individual and end up destroying him. In this way, the biography of Lysander is similar to tragic works in which a character's potentialities unleash forces that ultimately defeat him, and Plutarch explicitly plans on parallelisms with the tragic genre. From this standpoint, Pelling concludes, Lysander offers a moral that is similar to that of tragedy and different from that of other biographies: human nature can produce a figure such as Lysander, and such figures tend to bring about their own destruction through appropriate tragic processes.Stadter (1992) has recently analyzed from start to finish the paradoxical character that Plutarch assigns to Lysander and also to Sulla, the protagonist of the Roman Life presented as his parallel. In Stadter's view the contradictions in each character--that is, the combination of admirable and repulsive traits--form the basis of the portrayal of both subjects. The biographer also contrives to cross the two Lives so as to convey that they form an ensemble. Among other things, we see a type of progression whose upper limit is delineated by the harshest components of the portrayal of Sulla: his destructive nature, bloodthirsty and implacable, his tyrannical and frequently arbitrary conduct, his arrogance and lack of humanity. These traits are only sketched in the parallel Greek Life; yet their presence there evokes sinister dimensions which horrify when they appear, full-blown, in the Roman counterpart. From this interplay of traits and personalities our understanding of the human type treated in the biographies becomes increasingly deep. The final result in the present instance is that we are enabled to recognize the true traits of Lysander's character, and so escape the difficulty that Plutarch alludes to in his prologue through a cryptic... (shrink)

Among the elements which have gradually been complicating the countless representations of the Virgin Mary throughout history, this paper seeks to highlight and interpret conceptually one of special doctrinal significance in some Marian images during the fourteenth and fifteenth centuries: the temple, in whose interior some artists place some actual or symbolic episodes of Mary, from her birth or her Annunciation to the Sacra Conversazione, to give a few examples. Even though at first sight it looks as a mere scenographic (...) or ornamental ingredient, without iconographic value, this precise shape of temple reveals in fact some profound Mariological and Christological meanings. In that order of ideas, this essay is based on a double methodological strategy: first and foremost, to analyze some Marian images which include in the aforementioned period the shape of a temple, in order to see what kind of role such a religious building plays in them; secondly, to discover the relevant keys for interpreting such images, by analyzing some specific texts of the Church Fathers and medieval theologians who identify with Mary the figure of the «temple of God». For this reason, after a brief introduction to the problem, the present study is structured into three main parts inextricably intertwined: in the first we comparatively analyze twelve Marian paintings of the fourteenth and fifteenth centuries in which the Virgin appears inside a temple; in the second we explain the many exegesis that, in a consistent and strong patristic and theological tradition, identify the analogy of the templum Dei directly with the Virgin Mary, or indirectly with the Christ’s human body conceived in her womb; on the basis of this double analysis of images and exegetical writings, the third part of the paper states as a synthetic conclusion that the artistic representation of a temple or a church building in some Marian images of this period offers a compelling plastic metaphor of Mary and, ultimately, of her virginal divine motherhood. (shrink)

Philosophical Investigations, Volume 45, Issue 1, Page 91-97, January 2022.

Algunos autores han intentado considerar los delirios como certezas –entendidas en el sentido de Wittgenstein– debido a las similitudes que parecen existir entre sus respectivos estatus epistemológicos. Sin embargo, dicho intento ha sido criticado con agudeza, entre otras razones, porque el contenido de los delirios choca frontalmente con el contenido de las certezas, por lo que los delirios no pueden ser comprendidos debido a los cambios en las relaciones de significado. Pero es evidente que, aunque los delirios no se puedan (...) contemplar como certezas, muchos delirios afectan de un modo u otro al sistema de certezas del paciente. Partiendo de esta base, no es descabellado pensar que dicha influencia pudiera ser también recíproca: en otras palabras, parece sumamente recomendable analizar si algunos delirios se podrían contemplar como el resultado de variaciones en certezas. En este artículo llevo a cabo dicho análisis al intentar mostrar que el origen de algunos delirios pedestres y severos puede ser hallado en lo que llamaré “ceguera a posibilidades” e “incertidumbre”, términos que he desarrollado teniendo en cuenta la obra del filósofo Ludwig Wittgenstein. (shrink)

Literature on indoctrination has focused on imparting and revising beliefs, but it has hardly considered the way of teaching and acquiring certainties—in Wittgenstein’s sense. Therefore, the role played by rationality in the acquisition of our linguistic practices has been overestimated. Furthermore, analyses of the relationship between certainty and indoctrination contain major errors. In this paper, the clarification of the aforementioned issues leads me to suggest the avoidance of the term ‘indoctrination’ so as to avoid focusing on the suitability of the (...) case to the concept rather than on the analysis of the case itself. This should facilitate that the process of helping children to acquire a world-picture—by teaching them to ignore alternatives to certainties—is definitely accepted as normal and natural, for many beliefs are expected to end up becoming ungrounded certainties not only in the medium or long term, but also, and above all, in the short term. (shrink)

While in his late works Walter Benjamin seems to employ painting in an accessory way —either as an auratic counterfigure, or as a propitiatory victim of the technical image—, the allusions to the medium that guide his trajectory show its importance in the whole of his aesthetic reflection and even in the development of his theory of language. Especially relevant to understanding the general features of his idea of painting is the unpublished youth essay “On Painting, or Sign and Mark”, (...) as well as other writings of the same period that, although address the matter tangentially, shape it to a greater or lesser degree and determine its general scope. (shrink)

En el neoplatonismo tardío la profunda imbricación que hay entre filosofía y religión es una cuestión incontrovertible o, expresado con otras palabras, la estructura religiosa de la fi losofía neoplatónica plantea un horizonte especulativo muy singular que a todo lector moderno de esos textos, tanto en el género del comentario a los diálogos platónicos como en las obras más personales donde reluce la reflexión metafísico-teológica, no se le hace fácil comprender. En efecto, el modo singular de leer el diálogo platónico (...) Parménides, la manera de interpretar este texto fundacional del pensar neoplatónico, implica tener presente la influencia del vocabulario de los cultos antiguos de misterios y el modo en el cual dicho vocabulario se convierte en una parte orgánica o mejor dicho axial de tal estrategia exegética. En el presente trabajo se intentará mostrar tal estrategia exegética recurriendo a Proclo, el cual al discutir la irrelevancia de la interpretación lógica del Parménides se hace heredero de las claves de lectura aprendidas de su maestro, Siriano. (shrink)

El análisis detenido del pensamiento teológico-musical de Isidoro de Sevilla ha sido repetidamente ignorado por la crítica, hecho que ha provocado que el estado de la cuestión sobre la materia sea prácticamente inexistente. Debido a ello, este trabajo tiene un cuádruple objetivo. En primer lugar, fijar con precisión el citado estado de la cuestión. En segundo lugar, sistematizar el estudio del pensamiento teológico-musical isidoriano dentro de la totalidad de su pensamiento musical para que el primero pueda ser estudiado exhaustivamente y (...) de manera generalizada en el futuro. En tercer lugar, localizar, clasificar e introducir por primera vez todos los textos litúrgico-musicales de Isidoro de Sevilla de cara a su posterior estudio en futuras publicaciones. En cuarto lugar, exponer, también por primera vez, algunas de las ideas más relevantes del pensamiento teológico-musical isidoriano como ejemplo de la sistematización propuesta y como punto de partida para el establecimiento de futuras líneas de investigación. (shrink)

Aunque Jusep Torres Campalans, la peculiar creación literaria de Max Aub, ha venido siendo objeto de numerosos comentarios, estudios y exposiciones, la peripecia editorial de la obra –un aspecto determinante para su adecuada valoración y recepción– apenas si ha captado el interés que merece hasta la fecha. Con el propósito de suplir esa carencia, el artículo se detiene en primera instancia en el marco intencional y coyuntural de su primera aparición y despliega después un ejercicio adaptado de bibliografía analítica donde (...) la edición príncipe es objeto de un somero análisis estructural y formal y se ve después sometida a contraste con todas y cada una de las ediciones en distintos idiomas que, desde 1958, se han venido sucediendo. Más allá de atender a las distintas versiones de una obra caracterizada en origen por una cuidada articulación de palabra, imagen y hechura material, el artículo aspira a promover la reflexión sobre el riesgo que entrañan ciertas rutinas editoriales para aquellas obras literarias que desbordan los márgenes de la convención. (shrink)

The article examines whether economics serves to organize scarce resources, whether a market economy is the most natural form of organizing economic life, how the hierarchy of needs is satisfied; whether one man alone could be considered free, and advice is given us to what is recommendable that one bring with him to a desert island.

Aunque política y ciencia constituyen hoy en día ramas casi antagónicas del conocimiento humano -acaso combinables en ámbitos ficcionales como el cine y la literatura-, la relación entre filosofía política y astronomía es una constante histórica que alcanza especial fuerza en el pensamiento emancipatorio del siglo xix. El presente artículo sitúa en ese marco La eternidad por los astros y, asimismo, somete a contraste la peculiaridad retórica e ideológica de esta obra, en donde Louis-Auguste Blanqui propone una contigüidad entre orbe (...) celeste y sociedades humanas, basada en su análogo funcionamiento y su común atavismo. (shrink)

Wittgenstein scholars have tended to interpret the acquisition of certainties, and by extension, of a world-picture, as the achievement of a state in which these certainties are assimilated in a seemingly unconscious way as one masters language-games. However, it has not been stressed that the attainment of this state often involves facing a series of challenges or difficulties which must be overcome for the development of the world-picture and therefore the socialization process to be achieved. After showing, on the one (...) hand, how a world-picture is usually developed, and on the other hand, why a child who seemingly found itself trapped in a precocious skepticism might have serious problems in assimilating certainties, in this paper, I describe some of the challenges children often meet as they acquire a world-picture. Since the overcoming of these challenges is often needed for children to develop a world-picture, I aim at raising the awareness of the necessity of ‘learning to believe’, that is, of developing a series of skills that allow children to undertake the challenges described in this paper. (shrink)

Though Wittgenstein's On Certainty has been influential in analytic epistemology, its interpretation has been enormously controversial. It is true that exegesis has been mainly concerned with the proper characterization of Wittgenstein's very notion of ?certainty?; however, some important questions remain unanswered regarding this notion. On the one hand, I am above all referring to the study of the possibilities we have of retaining a certainty when it has seemingly been placed into question and, on the other hand, of regaining a (...) certainty once it has been lost. In this paper, I attempt to provide a detailed answer to both questions. In so doing, some important features of the picture of ourselves which emerges from Wittgenstein's On Certainty are also revealed. (shrink)

An analysis of the particular kind of determinism that is to be found in the moral election according to Leibniz shows the model of practical reason held in his philosophy. The hermeneutical clue used in the article is to make a parallelism between the model of rationality of God’s election to create the best possible world and that of human moral election.